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Tyler Edwards, Joseph Pennell
March 12 @ 8:00 pm - 11:00 pm
TYLER EDWARDS: tyleredwardsmusic.com/home
“Tyler Edwards conveys a stealth-like view in his moody melodies, breaching sensitive singer/songwriter fare with a reliable rock stance that recalls Jason Isbell, Ryan Adams, and The Avett Brothers in it’s unassuming honesty.” Lee Zimmerman – PASTE MAGAZINE
Beginning his career in 2008, Tyler wrote and performed with the South Carolina rock band, I Anthem. After releasing two EPs and an LP, the band had multiple songs break the Top 10 on Billboard’s Rock Charts and music featured on MTV and NASCAR. In 2015, Edwards launched his solo career with a 6-song EP, “Too Young for Love” and relocated to Seattle, Washington, where he spent 8 years before relocating to Nashville in 2022. While in the PNW, Tyler cultivated a strong grass-roots by consistently touring and selling out some of Seattle’s most notable venues and sharing the stage with national touring artist such as Ian Noe, Will Hoge, Nicki Bluhm, and The Steel Wheels.
Tyler’s sophomore album, “A Falling Sky” released on September 30, 2022. The record enlisted mixing by Neil Hampton and Ryan Freeland (Ray LaMontagne, Bonnie Raitt, The Barr Brothers), and mastering work by Kim Rosen (Aimee Mann, Rhiannon Giddens, The Milk Carton Kids, The Avett Bros). Edwards followed the album with two independently produced and recorded singles in 2023, which helped further the reach of his music and has now amassed over a million streams on Spotify alone.” –Artist Bio
JOSEPH PENNELL: instagram.com/josephpennellmusic
“Joseph Pennell is a singer songwriter and Pacific Northwest native who has been involved in music since the age of five. Beginning his musical journey with classical piano, and expanding through brass jazz performance, he has since pushed his focus to guitar, songwriting and arrangement in the indie folk and roots genres. His writing reflects on human relationships, hardships and growth and is accompanied by layered guitar parts to carry gentle and powerful vocals. A finish carpenter by trade and father of two, most days he can be found with family, building something, or writing/recording in his home project studio The Reading Room.” – Artist Bio
@ Fremont Abbey Arts Center
7p doors, 8p show
All ages, some seating available, bar w/ID
ABBEY ARTS EVENT INFO:
- Fremont Abbey is ADA accessible on either level.
- For most events we have a mix of padded chairs and standing room.
- Seating is not guaranteed or reserved unless noted.
- To respect the performing artists and your fellow attendees, please refrain from talking during the performances
- Please limit photos during the show so as to not distract other attendees from the experience.
- Phone and video may be permitted for some shows, from the standing area only please.
- No professional cameras or cameras with shutters allowed in the venue
- We are an all ages venue. Kids 10 & under are free at Abbey Arts concerts & arts events unless noted.
- Equity & Inclusion – Entering the venue indicates agreement to adhere to the Abbey Respect Policy. www.fremontabbey.org/respect
- Service animals as defined by the ADA are allowed. Service animals are defined as dogs that are individually trained to do work or perform tasks for people with disabilities
ABBEY ARTS, SEATTLE | NONPROFIT 501C3, NON-RELIGIOUS, EST. 2005
Presenting welcoming music, arts & cultural experiences for people of all ages & incomes.
- Venue Rental info & more: fremontabbey.org/rent
- Concert & events calendar: abbeypresents.org
- Volunteer opportunities are available for most shows (include free entry) www.fremontabbey.org/volunteer
- Arts Connect provides free tickets for nonprofit workers, low income families, and veterans. fremontabbey.org/artsconnect
Home Venue: Fremont Abbey, 4272 Fremont Ave North, Seattle, WA 98103 / 206-414-8325 Ballard Homestead: 6541 Jones Ave NW, Seattle | + South Park Hall, Woodlawn Hall (Greenlake), UHeights Auditorium (UDistrict), St Mark’s Cathedral (Capitol Hill), & more
Note: All ticket sales are final unless noted. Lineup and performers are subject to change, no refunds for change of support acts.